Fela Kuti
Fela Anikulapo Kuti revolutionized African music by fusing traditional Yoruba rhythms, jazz harmonies, and funk grooves into Afrobeat. Afrobeat was a genre inspired by the South Carolinian Godfather of Soul/Funk "James Brown", his drummer and longtime bandleader "Tony Allen," his London-based college Highlife Jazz band "Koola Loobitos," his Los Angeles introduction to Sandra Izsadore / the "Black Panther Party" / the Citadel d'Haiti, and more that became the sonic language of pan-African liberation and political resistance. His incendiary performances and unflinching critiques of Nigerian military dictatorship transformed the concert stage into a platform for social revolution, while his relentless output of albums like "Zombie" and "Water No Get Enemy" inspired generations of musicians across the continent and the diaspora. Through his artistry, activism, and the Shrine nightclub he established in Lagos, Kuti proved that African popular music could challenge power while moving bodies and souls with infectious, polyrhythmic brilliance. All told, they spent ten months in the United States. Fela returned home not just musically awakened, but politically as well. And when James Brown made his way to Nigeria in late 1970, he and his band stopped by Fela’s club, the Afro-Spot. And while Brown never has admitted it, both Bootsy Collins & David Matthews, Brown’s arranger, have admitted that they were influenced by the sounds that they heard there. And the interplay of all of those elements created the conditions for Fela to later become Fela Anikulapo Kuti, “He who carries death in his pouch”: the master of his own destiny … the Black President … and the legendary revolutionary artist that we think of today. The First "Afrobeat" Hit from Fela Anikulapo Kuti that took Nigeria by storm was "JEUN KO KU." There was no music like it around Lagos or West Africa at that time. Fela then went into studying Yoruba Traditional Rhythms (even Ceremonial / Shrine Rhythms.) One day, the beat he wanted came to him. He called Tony Allen and showed him the beat and Tony Allen manifested it. So Fela then named it "Afrobeat" to represent his experience of the Civil Rights Movement of the African Americans, and pay homage to the "Afro" hair style which they wore during the struggle.
Discography
Albums